Tuesday, December 19, 2017
Relationship Between Shots
Pan’s Labyrinth was directed by Guillermo del Toro in 2006, and won an academy award for best cinematography that year. One scene in particular that I decided to analyze is towards the beginning of the movie, when Ofelia first experiences the fairy that will lead her throughout the rest of the film. The scene begins with a shot of Ofelia walking away from her mother and toward the camera, looking up above her head out of the frame. This is an example of an open frame shot since it is calling the audience’s attention to something that is not pictured in the frame. The shot is cut to one of the trees from straight below, and pans down to the back of Ofelia’s head as she walks deeper into the forest. What proceeds is a succession of rapid cuts that are a perfect example of continuity editing, since the viewer can barely notice that there are cuts happening. They simply follow the movements of Ofelia, which are to bend over, pick up a curious rock from the ground, and bring it in front of her face to look at it. Each action has a brief shot of its own, each no longer than 2 seconds long. We then watch Ofelia continue to survey her surroundings as she slowly walks toward the camera, until she stops and appears to spot something in front of her. The camera then jumps to what she is looking at, as she starts to walk toward it. A few seconds later in the scene, we see an example of point of view editing when we watch Ofelia place the small rock she found into a larger rock with a perfect sized hole for the smaller. After a large insect jumps out and surprises the audience and Ofelia, the camera jumps to Ofelia’s startled reaction to the bug.
Monday, December 18, 2017
MOMI Reflection
The mission statement of Museum of the Moving Image claims that it “advances the understanding, enjoyment, and appreciation of the art, history, technique, and technology of film, television, and digital media.” After my visit to the museum, I would say that it succeeded in fulfilling this goal.
There were several different aspects of the museum that I found to be interesting. The first of which was the historical walk through of images and film that the museum portrays for its visitor. The exhibition entitled “Behind the Screen” allowed me to put concrete objects behind the concepts I have been learning about for years. Seeing some of the equipment that was used for filming became much more interesting when I was able to see all the detail in its physical being instead of just looking at a picture on a projected screen.
Another exhibit that was very exciting for me to see was the Jim Henson Exhibition. The exhibit focused mainly on The Muppets since it was his most famous achievement, but I was delighted to find tucked away in a corner, some of the puppets used to create one of my favorite childhood movies, The Dark Crystal. I never would have imagined the detail that went into the costume design and overall production of these puppets. Not only did Jim Henson create a brand new world for his audience to step into, but he put into it painstaking detail that can be overlooked, but when focused upon is marvelous.
Monday, December 11, 2017
Subscribe to:
Posts (Atom)
Relationship Between Shots
Pan’s Labyrinth was directed by Guillermo del Toro in 2006, and won an academy award for best cinematography that year. One scene in particu...
-
Pan’s Labyrinth was directed by Guillermo del Toro in 2006, and won an academy award for best cinematography that year. One scene in particu...
-
In today’s modern world, I believe people need to see to believe. There are countless newsworthy events happening every second of every day...